Chronicling the rise and fall of the on-air traffic report
It
was a marriage made in heaven. As America’s love affair with the
automobile packed the highways faster than the country could build them,
motorists needed to know how to navigate the congestion. Meanwhile,
radio stations, facing their own growing congestion on the dial, sought
new ways to lure listeners away from the competition. It wasn’t long
after the first radios were installed in automobiles that the radio
traffic report was born.
August,
1937: In an hour-long survey of Southern California highway conditions,
CBS Radio joined forces with United Airlines to describe traffic
conditions as observed from the air. Here, KNX announcer Tom Hanlon
gives motorists a word picture of conditions on the roads leading to
mountain and beach resorts. Detours, congested areas, and other
impediments were spotted and pointed out.
Credit: Author’s collection
One
of the first stations to report on traffic conditions was WINS in New
York City. On Aug. 10, 1935, Police Deputy Commander Harold Fowler flew
over the city’s main traffic arteries in a Goodyear blimp, informing
motorists about the least congested routes. Curiously, these first
broadcasts were made only on the weekends.
Two years later, KNX in
Los Angeles began regular reporting of weekend traffic conditions as
announcer Tom Hanlon observed the traffic flow from a United Airlines
plane, describing the congestion on the city’s popular beach and
mountain escape routes.
In 1948 in Chicago, the Cook County
Sheriff’s Department broadcast its “Birds Eye” service during the
Memorial Day weekend over WMAQ. A deputy and a pilot flew helicopter
routes over the city from mid-afternoon to dark. They didn’t broadcast
their descriptions live, but instead would land periodically to phone in
their reports to the station. The experiment was carried out with the
approval of the City Council in an attempt to minimize holiday traffic
congestion in the city. WMAQ repeated the special broadcasts over the
July 4 and Labor Day weekends that year.
But radio reporting of
traffic congestion still wasn’t universally appreciated in those early
years. In 1951, the local police chief of Huntington, W.Va., complained
that WSAZ’s on-air coverage of a traffic accident had contributed to
excessive congestion, “with the net result that we had to dispatch
badly-needed traffic men to attempt to handle the abnormal traffic.” The
station refuted the claim and affirmed its belief that the broadcasts
provided an important public service.
Despite these early
instances, the concept of daily commute traffic reporting didn’t seem to
take hold until the mid-1950s. At first, it was the local police
departments dispensing the information, phoned in from police
headquarters.
In February 1957, WWJ in Detroit initiated its
“Expressway Reports” with an officer calling in every 10 minutes from a
WWJ desk installed at the police station. About the same time, WAVE in
Louisville began airing morning and afternoon reports from a newsperson
stationed at police headquarters. Other stations in metropolitan areas
also began covering traffic with mobile units cruising the freeways.
The
KCRA “Airwatch” plane soars over the California capitol building in
Sacramento in this 1970s photograph, provided by former KCRA radio
Airwatch pilot Dan Shively.
TAKING TO THE AIR
Gordon
McLendon’s KLIF in Dallas was probably the first station to broadcast
live traffic reports from its own aircraft. In 1956, he hired a
helicopter to broadcast hourly traffic reports. Then WOR in New York
debuted its “Flying Studio,” with traffic reports aired afternoons
beginning March 1957. The fixed-wing WOR plane also served to cover
breaking news events. Others following suit in 1958 included WLW in
Cincinnati, KABC in Los Angeles, KGO in San Francisco, KXYZ in Houston,
WJBK in Detroit and WPEN in Philadelphia.
Although a few stations
chose to cover traffic conditions from fixed-wing aircraft, most elected
to use helicopters in spite of the greater expense because of their
superior maneuverability and ability to hover. But this also added an
element of risk, as helicopters were not as safe as airplanes.
In
1958, WGN in Chicago introduced its daily “Trafficopter” reports with
great fanfare. Chicago police officer Leonard Baldy broadcast daily
reports over the city, and also conducted regular programs about traffic
safety. But on May 2, 1960, WGN listeners were horrified to learn that
the popular officer had been killed in a crash after a rotor blade
disintegrated during a traffic flight.
November
1966: WCUE in Akron started its “Trafficopter” service on an
experimental basis with a leased helicopter. The reports proved so
popular that the station soon acquired a helicopter of its own and
expanded the service to regular five-day tours of 7:15–8:30 a.m. and
4:30–5:30 p.m. Here, Program Director Joel Rose, center, tells the
pilot, inside, which route to take for a rush-hour traffic report. WCUE
traffic reporter Charles Watkins is at right.
Credit: Author’s collection
Credit: Author’s collection
Then
in 1966, another radio traffic pioneer, Captain Max Schumacher, was
killed in a midair collision while working for KMPC in Los Angeles.
As
traffic reports became an important feature of the commute hours at
major market stations, the number of aircraft in the sky increased
dramatically.
More crashes followed. On Jan. 10, 1969, WOR fill-in
pilot/reporter Frank McDermott died when his helicopter fell into an
apartment building in Queens. Listeners heard the crash live during the
middle of a traffic update. Three alarms were needed to contain the
blaze, which gutted the building’s entire top floor.
Another WGN
“Eye in the Sky��� reporter, patrolman Irv Hayden, died along with his
pilot on Aug. 10, 1971, when their helicopter struck a utility pole.
On
June 4, 1986, “KFI in the Sky” reporter Bruce Wayne died when his
Cessna fixed-wing plane crashed shortly after takeoff from Fullerton
Municipal Airport.
On Jan. 11, 1993, traffic reporter Mike Roszman
and his pilot were killed in Buffalo, N.Y., after their WGR helicopter
hit a power line in heavy fog and crashed into the Niagara River.
What
was possibly radio’s first airborne traffic report took place on Aug.
10, 1935. Deputy Police Commissioner Harold I. Fowkerer observed New
York City’s traffic routes from a Goodyear blimp, reporting on the
congested routes for WINS. Here, he points to a traffic jam at 59th St.
and the Queensboro Bridge.
Credit: Author���s collection
TWILIGHT YEARS
With mounting expenses and risks, the heyday of the air traffic reporter began to wane in the early 1990s.
WOR
ended its traffic flights in 1993 and sold its helicopter to WCBS. Then
the ownership consolidation that started with the 1996
Telecommunications Act allowed station clusters to share their traffic
resources. This in turn put more of a load upon the pilots.
In Los
Angeles, Commander Chuck Street complained that he was reporting for
three stations each day, including one that required him to pitch
hamburgers, breath mints and sex-enhancing products while airborne.
Finally,
emerging technologies laid their disruptive hand on the traffic
reporter’s art, as less glamorous but more cost-efficient forms of data
collection became available. Now a traffic reporter could sit
comfortably in his office while watching highway video cameras, listen
to police radio scanner, and talking to stringers on the highway with
their cell phones.
Take the case of “Fearless Fred.” After flying
WOR’s helicopter for nearly 20 years, he left the station to become the
manager of Shadow Traffic in New York City. His company contracted with
several stations to provide traffic information, mostly gathered on the
ground from a variety of sources. By the time it was sold to Westwood
One and folded into Metro Traffic in 1998, Shadow Traffic was serving
350 radio and TV stations in 15 markets. Metro Traffic in turn was
bought by Clear Channel Communications in 2011 for $119.2 million, and
is now a part of Clear Channel’s Total Traffic Network.
Motorists
no longer have to sit through the commercials to catch “Traffic on the
8s” in the hopes of catching a nugget of useful detail about their own
routes. Today, with the confluence of internet, cellular and GPS
technologies, radio traffic reports have become almost irrelevant.
Phone-based services like Google Maps and Waze automatically aggregate
information from their users’ phones, combine it with data from local
highway authorities, and then share the information back to their
subscribers in a localized map-based format.
February,
1957: Detroit Police Sergeant Leo Crittenden broadcast expressway
reports directly from police headquarters over WWJ. The broadcasts were
made at ten-minute intervals from 6–9 a.m. and 4:30–6 p.m. weekdays.
Inspector Lloyd Preadell and Traffic Director James A. Hoye watch as WWJ
Engineer Harry Lewis and Sgt. Crittenden report.
Credit: Author’s collection
These
apps have become so popular that Waze now claims to have 90 million
users worldwide. Also, Sirius/XM provides continuous traffic information
to its subscribers in 23 major cities via dedicated traffic channels.
Although
some large stations remain firmly committed to the service, radio
traffic reports are starting to go the way of the dodo bird around the
country. Some music stations now even consider them a tune-out risk. It
was a wake-up call for many in 2015 when WAMU(FM) in Washington, D.C.,
announced the end of its legacy morning traffic reports, which Jerry
Evans had been broadcasting from his home in Florida. In its statement,
WAMU said: “In a world now filled with smartphone map services, GPS
devices in cars and traffic apps, there is better, more up-to-date
information available to our listeners than we could provide.”
The
Greek philosopher Heraclitus once proclaimed that “the only constant in
life is change,” and this has certainly been true of the radio
industry. In its almost 100 years of existence, continuously-evolving
technologies have brought many disruptive changes. The true survivors
among us deftly adapt to the changes without clinging to past
traditions.
Nonetheless, as we adopt each new technology, we often
trade glamor for efficiency. Such is undoubtedly the case with the
“radio cowboys of the skies,” and as they fly off into the sunset, we
realize we may never see their like again.
John Schneider
worked at stations in Michigan and California before joining the
equipment industry. He worked for Sparta, McMartin, RF Specialties,
Broadcast Electronics and iBiquity before retiring in 2016. He has
written two books and numerous articles on radio history and was named a
Fellow in radio history by the California Historical Radio Society. He
publishes an annual photo calendar and maintainswww.theradiohistorian.org.
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