The First Edition (& Kenny Rogers)
(Read all about the First Edition after the video)
Kenny Rogers and The First Edition, previously named The First Edition, was a rock and roll-based band, who also performed R&B, folk music, and country music. Its stalwart members were Kenny Rogers (lead vocals and bass guitar), Mickey Jones (drums and percussion) and Terry Williams (guitar and vocals). The band formed in 1967, with folk musician Mike Settle (guitar and backing vocals) and the operatically trained Thelma Camacho completing the lineup.
As the 1960s counterculture was heating up, The First Edition signed with Reprise Records in the summer of 1967 and had its first big hit in early 1968 with the pop-psychedelic single "Just Dropped In (To See What Condition My Condition Was In)" (US No. 5). After only one more chart hit, "But You Know I Love You"
(US No. 19), the group, newly billed as "Kenny Rogers and the First
Edition", once again hit the top ten, this time in the summer of 1969
with the topical "Ruby, Don't Take Your Love To Town" (US No. 6, UK No.2).
For the next six years, First Edition bounced between country rock, pop and mild psychedelia, enjoying worldwide success.
The early days
Kenny Rogers and The First Edition were (apart from Mickey Jones) made up of former New Christy Minstrels who felt creatively stifled. In 1967, with the help of Terry Williams' mother, who worked for producer/executive Jimmy Bowen,
they signed with Reprise and recorded their first single together, "I
Found A Reason", which picked up minor sales. Like much of the work by
the original lineup, this was a distinctly contemporary composition with
an intensely performed Mike Settle vocal. Settle had first come up with
the idea of forming the band as his work took on the characteristics of
rock. Over the previous seven years, Mike had been writing decidedly
more folk-oriented songs, most notably the oft-covered "Sing
Hallelujah".
It was their follow-up (sung by Rogers), the proto-metal-psychedelic single "Just Dropped In (To See What Condition My Condition Was In)", that earned them their first brush with fame. The single, with an arrangement by their producer Mike Post that had Glen Campbell playing the backward guitar intro and Mike Deasy providing various psychedelic sounds, became a hit early in 1968, climbing to No. 5 on the Billboard Hot 100. Terry Williams played the solo that later led Jimi Hendrix
to tell Kenny that it was his favorite record. The group's next three
single releases failed commercially, as did their second album. The fall
1968 release "But You Know I Love You"
(composed by Settle) possessed a unique brass-tinged country-folk
sound, broadening their fan base. In the group's rendition on The Smothers Brothers Comedy Hour that aired on 8 December 1968, the audience was unwittingly fooled into clapping too soon, right after the false ending
but way before the real ending. The record peaked at No. 19 on the Hot
100 just under a year after "Just Dropped In" was at its Billboard
summit.
According to Mickey Jones' book "That Would Be Me", Thelma was fired
from the group in late 1968 (soon after the release of "But You Know I
Love You" and the aforementioned Smothers Brothers television
appearance but before the record would chart on the Hot 100), after
missing too many gigs and rehearsals. For her part Thelma didn't see it
the same way. She has stated that while she always loved being with them
in the studio, the road was too hard on her from a health and personal
standpoint. Slowly growing apart from the others, Camacho began to feel
restricted by the band in a number of ways. All agreed that the
situation couldn't continue, and she was replaced by her roommate, Mary
Arnold, an Iowa-born singer who beat out newcomer Karen Carpenter for the job. Thelma appears on the first three LPs plus half of the fourth album. Mary made her debut on "Reuben James".
By the end of the decade Rogers had long brown hair, an earring, and
pink sunglasses. Known affectionately in retrospect as "Hippie Kenny",
Rogers had a notably smoother vocal style at the time. During the summer
of 1969 the band scored another Top Ten hit with Mel Tillis'
"Ruby, Don't Take Your Love to Town." "Ruby" was the global smash that
firmly established the First Edition's longevity in the business.
Mickey's drumming was part of the hook. At Rogers' current shows, the
song is often clapped along to, or joked around with, but it was meant
very seriously at the time. Telling the graphic story of a crippled
veteran was admirably daring at the height of America's involvement with
the war in Vietnam. It should be noted that the song lyrics were originally meant to address the Korean War, albeit in such a vague way that it could have referred to Korea, Vietnam, or even the Japanese invasion of Pearl Harbor.
The song was picked up by some of the more attuned disc jockeys, and
there was suddenly great demand to release the final track recorded for,
and included on, the First Edition '69 album. In order to
release "Ruby" at the same time as the "But You Know I Love You"
soundalike "Once Again She's All Alone", the group renamed themselves
"Kenny Rogers and The First Edition". When "Ruby" became the hit, the
name stuck. Terry later claimed this made him feel like one of Gladys Knight's Pips.
Their prime
"Ruby"
made them stars, and during the next two years, Kenny Rogers and The
First Edition had nearly half a dozen hits. A man Rogers at first took
to be a rude fan first pitched "Reuben James" to Rogers at a golf match.
The man, who turned out to be a song pitcher for American songwriter
Alex Harvey followed him around the greens singing the song until Kenny
listened. Rogers loved the song's look at a black man raising a white
boy and agreed to record it. "Reuben James" turned out to be another
daring record; though not as big a hit as "Ruby", it made a big impact
on the First Edition's now sizable fan base. "Reuben James" came out at
the end of 1969, by which time Mike Settle had been gone for several
months, in an effort to save his ultimately doomed marriage. During his
absence he was replaced by Kin Vassy.
Vassy's style was a little more edgy than Settle's, allowing the band
to explore different areas. It was now that Kenny and Terry, by default,
became the leaders of the band. Kenny was in charge of the records, and
Terry would take control of their stage presentation. The group
continued to record country, rock, and folk by fairly equal measures,
blurring the lines among the genres. Along with the likes of Jerry Lee Lewis, Johnny Cash and Elvis Presley,
their records in the late 1960s brought country music to the city and
rock `n' roll to the country. Even if Jones had not also discovered Don Henley, the First Edition should get credit for being pioneers of a more modern blend of rockabilly called country rock.
The First Edition reached what was arguably the peak of their fame
with "Something's Burning", a No. 11 hit in early 1970. A blatantly
sexual song, it was slightly hindered chart-wise by the controversy
surrounding it. Regardless, Kenny's soft voice on verses and rock
shouting on the chorus earned the group much acclaim. "Burning" opened
with a sample of an actual heartbeat played backward to replicate the
song's rhythmic beat.
Meanwhile, Terry Williams had begun to record some solo 45's. A
number of folk rock songs met with little success. He later switched to a
more teen-oriented bubblegum sound that their manager Ken Kragen
felt would appeal to his fans. Williams' "I'm Gonna Sing You A Sad Song
Susie" was part of the First Edition's next LP "Tell It All Brother".
The title track (also written by Harvey), which dealt with love and
brotherhood, was a national top 20 hit and topped WRKO's August 13, 1970 top 30 survey for one week. It was the first of many songs Kenny would sing (e.g., his solo Coward Of The County)
that had elements of sadism under a gentle surface. The line about
mimicking a crippled man would not have flown had it not been sung with
so much reverence. Released a month or so after the Kent State shootings,
the song drew a standing ovation the night it debuted live. They also
played an encore, where the audience yelled play "I'm Gonna Sing You A
Sad Song Susie" again!
In addition to the band's continuing frequent appearances on
television, songs by Kenny Rogers and The First Edition were featured in
two 1970 films. First up was the never released on record "If Nobody
Loved" for the camp political comedy "Flap". A few months later they
recorded "Someone Who Cares" and "A Poem I Wrote For Your Hair" to
appear in the soundtrack for the romantic film "Fools" starring Jason
Robards, Jr., and Katharine Ross. The "Fools" (soundtrack) was released
in 1971.
At the end of 1970, the First Edition had their seventh Top 40 hit
with the Vassy-penned "Heed The Call". Another song about the need for
brotherhood, it was seen as an uptempo counterpart to the balladry of
"Tell It All Brother." The next single, "Someone Who Cares", was taken
from the "Fools" movie soundtrack. A lushly arranged ballad, it may have
charted higher if it had been included in the group's concurrent
Greatest Hits LP which went on to sell two million copies. Though
scoring high on the easy listening charts, "Someone Who Cares" failed to
reach the pop top fifty. This ushered in a period during which the
First Edition attempted to retool its image. Keyboard player John Hobbs
was briefly in the lineup, but, though he played on future recordings,
was not in the group long enough to appear on any album covers or
publicity photos. His brief tenure was captured in the PBS television
special "Tell It All." The special provided an unusually in-depth look
at the group, all of whom were at ease speaking in front of the camera.
In mid-1971 the First Edition released a gospel single called "Take My
Hand", which barely scraped into the bottom of the charts. While "Spirit in the Sky", "Put Your Hand in the Hand" and "Jesus Is Just Alright" laid the foundation for "Jesus Rock", the First Edition now seemed to be jumping on trends instead of creating them.
TV and later releases
After
the success of a pilot shot in late 1970, the fall of 1971 saw Kenny
Rogers and the First Edition become hosts of their own television series
Rollin' On the River. Later to be shortened to Rollin, this was a variety show that was taped in Canada (taking advantage of recently imposed Canadian content requirements) which geared itself toward rock, blues, and folk performers and groups. Unlike the more Las Vegas-styled The Sonny & Cher Comedy Hour, Rollin was focused on harder-edged guests like Ike and Tina Turner, veterans like Bo Diddley, veteran Canadian based artists such as Ronnie Hawkins, and up and coming performers such as Jim Croce.
The show also gave the First Edition a chance to do the comedy Kenny
and Terry had long made a part of their act. Though it got good ratings,
Rollin did have one ill side effect: the First Edition were now
seen as television personalities instead of recording stars. Terry
Williams' signature song, "What Am I Gonna Do", was to become the
group's next single in late fall of 1971. It was the first First Edition
45 not to chart since 1968, and the poor reception to their bigger
artistic risks was the cause of some concern.
Recorded over six months in 1971, and released in March 1972, The Ballad of Calico was written by future star Michael Murphey
and the First Edition's musical director and arranger Larry Cansler.
Cansler replaced Hobbs on stage during this period, but despite his
large creative role here, and on Rollin' On the River, he was not promoted on either as a member of the group. The album was a country rock opera
about a late 19th-century mining town, but unlike most like-minded
projects of the era, all of the songs were based on fact. The sleeve and
booklet of this two-LP set had genuine and period-styled photos
depicting the era, with all of the lyrics presented in hand-written
script. The music was critically well received, with all of the group
(outside of Mickey) taking at least one lead. The song chosen for a
single was "School Teacher," an acoustic rhythm and blues song with a
lead by Kin. In retrospect it's easy to understand the probable reasons
the artistically valid "School Teacher" didn't get past No. 91. Putting
out a First Edition single where Rogers wasn't prominent had already
shown itself to be a gamble, plus lyrics written to reflect the sexist
views of the 19th century sounded odd outside of the LP's concept. "The
Ballad Of Calico" has since picked up a large cult following, but back
in 1972 it was all but ignored. Frustrated by the falling sales (the
album hardly sold at all), Vassy began to let a drinking habit get out
of control. According to Mickey Jones' book "That Would Be Me," Vassy
was fired several months after the "Calico's" release following a
drunken backstage confrontation with Terry Williams.
By early 1972, Gene Lorenzo replaced Larry Cansler on stage and was
made a full First Edition member. Jimmy Hassell joined the group about
six months later to replace Kin. Lorenzo was a keyboard and piano
virtuoso who had what would be referred to today as a large Mario Brothers mustache. Hassell was a hard rock singer similar to Vassy, and physically resembled a friend of Terry's, actor Gary Busey.
Both fit in well, without making the public impression of the original
members. Around the time the new members hopped on board, Rogers formed
his own label, Jolly Rogers (distributed by MGM,
Rogers retained the name when he started his own publishing company as a
solo artist) and the group left Reprise. Lorenzo has noted that a live
LP that he considered terrific was scrapped during the changeover. It
captured the group playing at the prestigious Las Vegas Hilton lounge,
something they did many times, usually when Elvis Presley was appearing in the showroom. The "Live Vegas '72" 2015 LP is NOT this album according to Lorenzo.
Their first Jolly Rogers release was a late 1972 country LP called "Backroads." The third single from the album, a version of Merle Haggard's
"Today I Started Loving You Again" reached the lower regions of the
country charts in mid-1973. Then came a soundtrack from "Rollin." Now in
its second year, an album of live versions of the "Calico" songs and
hits like "Ruby," "Reuben James" and "Just Dropped In" could have sold
quite well, bringing proven hits to the Jolly Rogers label at the same
time. Instead, they delivered a set of cover songs, of which Kenny's
remake of "The Long and Winding Road" and Gene and Terry's reworking of
Bach's "Joy" were most notable. The album didn't check the group's
declining sales, and the TV show was soon canceled. The group
increasingly played on the county fair circuit. This made the First
Edition a lot of money, but they knew they were no longer current.
Although he made up for it by wilder dress and hair, Kenny was
showing signs of middle age with weight gain and patches of gray in his
beard. It was decided that a new image far away from their TV persona
was required. "Monumental" tried to give them just this. Combining a
wide variety of styles, it ranged from a Rogers-written rocker about
prostitute "Morgana Jones" (later rerecorded by Rogers for his album "The Gambler"
in 1978) to the nostalgic "42nd Street." The later compared the New
York of 1973 to the Broadway of the 1930s. As he would continue to do in
his solo career, Rogers cloaked some mature subject matter with a
gentle delivery. The Dr. John-inspired medley of Alex Harvey
compositions "The Hoodooin' of Miss Fannie Deberry" (also rerecorded by
Rogers for "The Gambler") and "The Ritual", was the LP's centerpiece.
Though in tune with other music of the day, "Monumental" was one of
their biggest sales failures in the United States Of America, but in New
Zealand it went gold. Following on the local success of "Rollin" and
the understated ballad "Lady, Play Your Symphony," Kenny's rocking
nursery rhyme "Lena Lookie" went to number six, and the group embarked
on three New Zealand tours over the next two years. A documentary of
their first trip, in late 1973, was aired as a 1975 TV special, "Rollin
Through New Zealand ".
As their domestic popularity continued to decline, Terry wanted to
focus on the hard rockers that had done so well for them overseas. Kenny
disagreed, wanting a more conservative agenda. Kenny admitted in his
book "Making It With Music," that he perhaps shouldn't have complained
about MGM's poor distribution on a radio show, but despite their
mounting problems, New Zealand continued to consider the First Edition
as superstars. The problem was that they had to go halfway around the
world to benefit from their success, and travel expenses ate a big chunk
out of their profits. As a thank you they put together an album called
"I'm Not Making My Music For Money" especially for their New Zealand
fans. An LP of this title was to have come out in the USA but MGM
rejected it. The US LP was basically going to be the same but with two
new cuts replacing the two songs reused from "Monumental." Despite the
retreads, the album did show continued development. A mix of new songs
and remakes (possibly done because some songs were not available in New
Zealand), "Love Woman" was now a hard rock jam featuring Jimmy on lead.
This arrangement was borrowed from the band's stage performances of Bill Haley's
"Rockin' Through The Rye". The ballads "Dirty Work" and "Daddy Was A
Traveling Man" were a return to the more adult style of Terry's early
work. "Making Music For Money" (another song remade for "The Gambler")
is a song about art vs. commerce that Jimmy Buffett
later covered. This semi-comical goodbye to the music rat race also
served as the band's ironic last single. It too charted well, but again
only in New Zealand.
The split
A last-ditch effort to jumpstart their domestic careers was done in late 1974 when they filmed a television movie called "The Dream Makers."
A better than average drama about the music biz, they played the group
Catweazel. It was a small role with only Kenny and Mickey speaking any
major lines. Despite the film giving them a chance to perform recent
songs, the exposure didn't halt their decline. Kenny had become short on
money by 1974, and was in debt when he decided to hawk guitar lesson
records on a commercial. The "Quick Pickin' Fun Strummin'" method may
have worked, but it did Kenny and the others no good, image-wise.
Wanting to give a solo career a shot, Terry left in the late spring
of 1975. Kenny was upset but agreed to it, succeeding in getting Kin to
come back so they could fill their pending engagements. Though he was
hired to stay permanently, the reunion with Vassy did not go well and he
ended up playing only one night. This more or less marked the point
where The First Edition agreed to split. Mickey, realizing that it was
time to move on, was the first to decide to leave in order to pursue his
other dream, which was acting. Though the group would finish their
pending obligations, Kenny began recording as a solo act that fall. The
First Edition played their last scheduled shows in the fall of 1975 at
Harrah's in Reno. Without Mickey Jones
there were a few First Edition gigs in early 1976, done as a favor to
Kenny who hadn't yet formed his solo band. Kenny later said that writing
the song "Sweet Music Man" made him cut his hair and let it go gray,
plus get rid of the earring. The song may have played a part in his
future middle of the road image, but the change did not happen until
almost a year after it was written. Mary Arnold often sang "Sweet Music
Man" on the First Edition's post Terry Williams gigs and Kenny also
tried the lead out a few times. This was to become one of Rogers' most
covered compositions, and he himself had a No. 9 country hit with it in
the fall of 1977. Though unrecorded, "Sweet Music Man" marked the end of
the First Edition as a creative entity.
After the split
Considering the band's then low profile, Kenny Rogers had an uncertain future when he signed a solo deal to United Artists
in 1975. Searching for a new image, he soon developed a more middle of
the road gravel voiced style. For the rest of the decade and beyond he
had hit after hit. "Lucille"
was the first of no less than a combined 25 number 1 country and pop
singles after he left the group. During his time with UA (later taken
over by Liberty) he topped the country and pop album charts for a grand
total of 90 weeks and sold more records than anyone in country music. In
1983 his status as one of the world's top stars (of any musical genre)
was confirmed when RCA
signed him for an advance sum of US$20 million, for six albums. His
amiable stage jokes and love of performing continue to this day.
In April 2013 Rogers was inducted into the Country Music Hall Of Fame.
Thelma Camacho did a few solo records in the sixties and seventies
and one LP in 1980. She moved to Europe in the 1980s and lost contact
with the rest of the group until 2010. Thelma also recorded in Europe
under the name Tess Ivie (the latter being her husbands last name).
Today, she lives in California and runs a jewelry store.[1]
Mary Arnold married singer Roger Miller,
after the two were introduced by Rogers, and now looks after his
estate. She had performed with him for many years, and was recently
inducted into the Iowa Rock And Roll Hall Of Fame.
Kin Vassy died of lung cancer on June 23, 1994. He scored two top 40
hit singles as a country singer, but his solo career never really took
off. He often worked with Kenny in the eighties and his trademark scream
enlivens hits like "Blaze Of Glory". In 1980 he released the single Makes Me Wonder (If I Ever Said Goodbye);
Kenny Rogers sang the backing vocals. The song was not a hit, but the
following year Kenny recorded his own version of the song for his
popular "Share Your Love" album, produced by Lionel Richie; Vassy sang the back up on Kenny's version. He also worked with Frank Zappa and Elvis Presley. Two years after he died, Martina McBride had a No. 28 hit on the U.S. country survey with the Vassy penned Phones Are Ringing (All Over Town).
Gene Lorenzo performed for some years with country star Lee Greenwood, then some more years with Kathy Mattea.
When Greenwood fired his band in 1987, Kenny asked Gene if he would
like to join his stage band "Bloodline" until he found a new group.
Lorenzo stayed for roughly six months. He is still listed as a working
musician.
Terry Williams had one easy listening hit in 1980 called "Blame It On
The Night," but it was on a small label and today is harder to find
than his less successful singles. He worked extensively with Kenny in
the eighties and managed Kenny's successful Lion Share recording
studios. Today Terry is mostly retired, on a huge farm in the Southeast.
He now composes and sings Christian music, and keeps his foot in the
door of the music business.
Kin and Terry fronted a new First Edition in 1993-94. They continued
on a few months after Vassy's death, but the circumstances were now too
downbeat and they disbanded several months later. It was to be an
attempt at relaunching the group as a contemporary country band who also
played their hits. Terry's younger brother Ress played the drums.
Having continued to write and perform, Mike Settle opened for The
First Edition on their 1973 trek to New Zealand. He would go on to write
several songs for the group's solo records over the years. By the
eighties Mike had a lower profile in the music industry, and later
became a journalist. Now basically retired, his songs ("But You Know I
Love You" in particular) continue to be covered by new artists.
Jimmy Hassell worked for Anne Murray for a while and after Mary married Roger Miller
he worked with them as well. He released one self-titled solo LP in
1976 which was reissued with one new song in 1978, and also wrote
commercial jingles. His biggest success as a solo artist came in 1977
when he produced the award-winning production show "Sassy Class" at the
Stardust hotel. He died on January 6, 2004.
Mickey Jones became the most visible member next to Kenny. Now
focused more on acting, he has been in many films and T.V. shows over
the years, including films such as Sling Blade" and "The Fighting Temptations". He also had a role in Tim Allen's "Home Improvement" for two seasons.
John Hobbs stayed in touch with the group and worked with Kenny,
Terry, and Kin on Rogers' early eighties solo work as well as other
projects at Lion Share. He has remained a very active session musician
and arranger.
The groups' long time arranger Larry Cansler had a successful career
in the studios in LA scoring many movies (including The Gambler series),
variety shows, (the Smothers Brothers Comedy Hour) and many national
commercials. He now lives in Arizona and continues to compose for
symphony orchestras.
In 1980, a compilation of some of the First Edition's greatest hits
and album cuts, titled "Shine On", was issued in the United Kingdom; it
sold fairly well but was overshadowed by The Kenny Rogers Singles Album,
a Kenny Rogers solo greatest hits collection that, in addition to his
solo hits, featured reworkings of the group's best known songs.
Currently there are many compilations of their work in print on
various labels, some miscredited to Kenny alone with picture not of the
period. Their debut LP "The First Edition" had an excellent vinyl and CD
reissue in 2014 and "2nd" made it to the CD.
"Live Vegas '72" is the first new First Edition music to be released
since 1974. High quality collectors vinyl only, the recording was a Kin
Vassy era performance of an unknown date. Jimmy is oddly credited and
there are other basic mistakes on the cover of an otherwise quality
archive release. At least musically this is quality all the way.
The band scored a total of 11 hit singles and 8 hit albums on the Billboard charts.
On April 10, 2010, Kenny, Mike, Mickey, Terry, Mary, and Gene
reunited as part of the "Kenny Rogers: The First 50 Years" TV special.
This was filmed at the Foxwoods Casino in Connecticut. They were joined
by Wynonna Judd on a rendition of "Just Dropped In". Airing in 2011, a reunion with or without Kenny now seems likely.
Kenny Rogers continues to tour, including classic material by The First Edition in his performances. He is retiring in 2016.
The First Edition semi-reunited with Rogers several times in
2014-2015 when he was elected to the Country Music Hall Of Fame. These
were brief press conferences and performances only. No full reunion
actually happened according to witnesses.
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