Mary
Tyler Moore, whose witty and graceful performances on two top-rated
television shows in the 1960s and ’70s helped define a new vision of
American womanhood, died on Wednesday in Greenwich, Conn. She was 80.
Her family said her death, at Greenwich Hospital, was caused by cardiopulmonary arrest after she had contracted pneumonia.
Ms.
Moore faced more than her share of private sorrow, and she went on to
more serious fare, including an Oscar-nominated role in the 1980 film
“Ordinary People” as a frosty, resentful mother whose son has died. But
she was most indelibly known as the incomparably spunky Mary Richards on
the CBS hit sitcom “The Mary Tyler Moore Show.” Broadcast from 1970 to 1977, it was produced by both Ms. Moore and her second husband, Grant Tinker, who later ran NBC and who died on Nov. 28.
At
least a decade before the twin figures of the harried working woman and
the neurotic, unwed 30-something became media preoccupations, Ms.
Moore’s portrayal — for which she won four of her seven Emmy Awards —
expressed both the exuberance and the melancholy of the single career
woman who could plot her own course without reference to cultural
archetypes.
The
show, and her portrayal of Mary as a sisterly presence in the office,
as well as a source of ingenuity and humor, was a balm to widespread
anxieties about women in the work force.
“Mary
Tyler Moore became a feminist icon as Mary Richards,” said Jennifer
Keishin Armstrong, the author of “Mary and Lou and Rhoda and Ted: And
All the Brilliant Minds Who Made The Mary Tyler Moore Show a Classic.”
“She
only wanted to play a great character, and she did so. That character
also happened to be single, female, over 30, professional, independent,
and not particularly obsessed with getting married. Mary had America
facing such issues as equal pay, birth control, and sexual independence
way back in the ’70s.”
The
influence of Ms. Moore’s Mary Richards can be seen in the performances
of almost all the great female sitcom stars who followed her, from
Jennifer Aniston to Debra Messing to Tina Fey, who has said that she
developed her acclaimed sitcom “30 Rock” and her character, the harried
television writer Liz Lemon, by watching episodes of “The Mary Tyler
Moore Show.” Many nonactresses also said that Ms. Moore — by playing a
working single woman with such compassion and brio — inspired their
performances in real life.
Ms.
Moore had earlier, in a decidedly different era, played another beloved
television character: Laura Petrie, the stylish wife of the comedy
writer played by Dick Van Dyke on “The Dick Van Dyke Show.” Also on CBS,
the show ran from 1961 to 1966.
Ms.
Moore was the lesser star in those days, but she shared Mr. Van Dyke’s
background in song and dance, and as a comedy duo they magnified each
other’s charm. Ms. Moore transformed and tamed the vaudeville style that
had dominated sitcoms, perfecting a comic housewifely hysteria in
Laura, made visible in the way she often appeared to be fighting back
tears. Her “Dick Van Dyke Show” performance won her two Emmys.
“I
heard something in her voice that got to me,” Carl Reiner, who created
and produced the show, once said. “I think the fact that Mary and Dick
were dancers gave the whole program a grace that very few programs
have.”
Mary
Tyler Moore was born on Dec. 29, 1936, in Brooklyn Heights. After
living in Queens and Brooklyn, her family moved to California when she
was 8. Her father, George Tyler Moore, a clerk, and her mother, the
former Margery Hackett, were both alcoholics and, Ms. Moore often said,
imperfect parents. The eldest of their three children, Mary would
outlive both her sister, Elizabeth Moore, who died of a drug and alcohol
overdose in 1978, and her brother, John Hackett Moore, who died of
cancer in 1992 after Ms. Moore had assisted him in an unsuccessful
suicide attempt.
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